E3. 16. K Bremen. Questions to consider while reading The Nabokov piece is a seminal one in our study of reading and writing. The Magic Path Of Intuition Pdf Reader' title='The Magic Path Of Intuition Pdf Reader' />Imitative magic attempts to control the universe through the mimicking of the desired event e. Imitative magic is often. Free esoteric eBooks. Library of Occult PDF, Ancient, Mystical, Religious, Magical Sacred Texts and Hermitic Holy Spiritual Online New Age Downloads. We provide excellent essay writing service 247. Enjoy proficient essay writing and custom writing services provided by professional academic writers. You have guardian angels or guide angels in your life. Magic Ink Information Software and the Graphical Interface by Bret Victor. Download Free Mind Power Books by James Allen, Genevieve Behrend, Wallace Wattles, William Walker Atkinson, Prentice Mulford, Charles F. Haanel, Christian D. Larson. You will come back to it again and again over the course of the year. Read it first to get an overall impression of its argument then, read it with the following questions in mind. Your extensive Journal notes should house the answers to these questions 1. The Magic Path Of Intuition Pdf Reader' title='The Magic Path Of Intuition Pdf Reader' />Where does the introduction end Identify the methods of introduction. Xodo-PDF-Reader-768x425-758x419.jpg' alt='The Magic Path Of Intuition Pdf Reader' title='The Magic Path Of Intuition Pdf Reader' />What is the thesis Where is it Is it explicit or implicit What is the authors toneWhere and how does it change What rhetorical devices does Nabokov use What passages capture your attention, arouse a reaction These can be ideas or elements of language. Purple6/v4/b1/6d/62/b16d6276-0287-5918-c24f-1e7ce3e8d73a/source/480x360bb.jpg' alt='The Magic Path Of Intuition Pdf Reader' title='The Magic Path Of Intuition Pdf Reader' />What, according to Nabokov, is a good reader. A good writer 7. How does Nabokov organize his piece Connect the different parts What characterizes the conclusionWhere does Nabokov use humor What authority does Nabokov have as a writer What is your reaction to the essay Is it an emotional one or a logical one My course, among other things, is a kind of detective investigation of the mystery of literary structures. How to be a Good Reader or Kindness to Authorssomething of that sort might serve to provide a subtitle for these various discussions of various authors, for my plan is to deal lovingly, in loving and lingering detail, with several European Masterpieces. A hundred years ago, Flaubert in a letter to his mistress made the following remark Commelon serait savant si lon connaissait bien seulement cinq a six livres What a scholar one might be if one knew well only some half a dozen books. In reading, one should notice and fondle details. There is nothing wrong about the moonshine of generalization when it comes after the sunny trifles of the book have been lovingly collected. If one begins with a readymade generalization, one begins at the wrong end and travels away from the book before one has started to understand it. Nothing is more boring or more unfair to the author than starting to read, say, Madame Bovary, with the preconceived notion that it is a denunciation of the bourgeoisie. We should always remember that the work of art is invariably the creation of a new world, so that the first thing we should do is to study that new world as closely as possible, approaching it as something brand new, having no obvious connection with the worlds we already know. When this new world has been closely studied, then and only then let us examine its links with other worlds, other branches of knowledge. Another question Can we expect to glean information about places and times from a novel Can anybody be so naive as to think he or she can learn anything about the past from those buxom best sellers that are hawked around by book clubs under the heading of historical novelsBut what about the masterpieces Can we rely on Jane Austens picture of landowning England with baronets and landscaped grounds when all she knew was a clergymans parlor And Bleak House, that fantastic romance within a fantastic London, can we call it a study of London a hundred years ago Certainly not. And the same holds for other such novels in this series. The truth is that great novels are great fairy talesand the novels in this series are supreme fairy tales. Time and space, the colors of the seasons, the movements of muscles and minds, all these are for writers of genius as far as we can guess and I trust we guess right not traditional notions which may be borrowed from the circulating library of public truths but a series of unique surprises which master artists have learned to express in their own unique way. To minor authors is left the ornamentation of the commonplace these do not bother about any reinventing of the world they merely try to squeeze the best they can out of a given order of things, out of traditional patterns of fiction. The various combinations these minor authors are able to produce within these set limits may be quite amusing in a mild ephemeral way because minor readers like to recognize their own ideas in a pleasing disguise. Aida32 Xp Download more. But the real writer, the fellow who sends planets spinning and models a man asleep and eagerly tampers with the sleepers rib, that kind of author has no given values at his disposal he must create them himself. The art of writing is a very futile business if it does not imply first of all the art of seeing the world as the potentiality of fiction. The material of this world may be real enough as far as reality goes but does not exist at all as an accepted entirety it is chaos, and to this chaos the author says go allowing the world to flicker and to fuse. It is now recombined in its very atoms, not merely in its visible and superficial parts. The writer is the first man to mop it and to form the natural objects it contains. Those berries there are edible. That speckled creature that bolted across my path might be tamed. That lake between those trees will be called Lake Opal or, more artistically, Dishwater Lake. That mist is a mountainand that mountain must be conquered. Up a trackless slope climbs the master artist, and at the top, on a windy ridge, whom do you think he meets The panting and happy reader, and there they spontaneously embrace and are linked forever if the book lasts forever. One evening at a remote provincial college through which I happened to be jogging on a protracted lecture tour, I suggested a little quizten definitions of a reader, and from these ten the students had to choose four definitions that would combine to make a good reader. I have mislaid the list, but as far as I remember the definitions went something like this. Select four answers to the question what should a reader be to be a good reader 1. The reader should belong to a book club. The reader should identify himself or herself with the hero or heroine. The reader should concentrate on the social economic angle. The reader should prefer a story with action and dialogue to one with none. The reader should have seen the book in a movie. The reader should be a budding author. The reader should have imagination. The reader should have memory. The reader should have a dictionary. The reader should have some artistic sense. The students leaned heavily on emotional identification, action, and the social economic or historical angle. Of course, as you have guessed, the good reader is one who has imagination, memory, a dictionary, and some artistic sense which sense I propose to develop in myself and in others whenever I have the chance. Incidentally, I use the word reader very loosely. Curiously enough, one cannot read a book one can only reread it. A good reader, a major reader, an active and creative reader is a rereader. And I shall tell you why. When we read a book for the first time the very process of laboriously moving our eyes from left to right, line after line, page after page, this complicated physical work upon the book, the very process of learning in terms of space and time what the book is about, this stands between us and artistic appreciation. When we look at a painting we do not have to move our eyes in a special way even if, as in a book, the picture contains elements of depth and development. The element of time does not really enter in a first contact with a painting. In reading a book, we must have time to acquaint ourselves with it.